— Project Space


Double Book Launch: Mamook Ipsoot and Don’t Go Hungry
Thursday April 24, 6–8pm
grunt gallery, 116–350 E 2nd Ave, Vancouver

Find yourself a copy of the Mamook Ipsoot (To Hide or Make Hidden) book and art cards. The book describes how the youth project approached art making through a conceptual lens and explores the relationship between indigenous youth and Vancouver’s landscape. It includes a foreword by Glenn Alteen and an essay by community arts coordinator Jolene Andrews.

Stop by to feast your eyes on the Don’t Go Hungry—Be Hungry booklet. This publication features a new essay by Tania Willard and includes beautiful photos from the Don’t Go Hungry exhibition by Bracken Hanuse Corlett and Csetkwe Fortier.

There will be lots of great deals on past publications; check out grunt’s online store to see what is available.

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IMG_3615Safe Amplification Society’s Zine Library Soothes Social Anxiety

by Ryan Ming

In 2009 a group of musicians formed The Safe Amplification Society, a non-profit, volunteer-run community organization that produces legal and financially viable all-ages music and arts events in Vancouver. The issue of a dedicated all-ages venue has been long sought after, as many venues that hosted all-ages music events have shut down over the years—mostly due to bylaw infractions or lack of funds. Currently, Safe Amp operates out of Astorino’s Hall on Venables Street and Commercial Drive. 

The organizers of the zine library component of Safe Amp—Board Member Marita Michaelis-Webb, Kaitlyn MacMillan and Chavi Alvarez— were on hand to discuss their latest project at the organization’s recent Zine Fair & Show Fundraiser.



Project Space: What inspired you to start a zine library component of Safe Amp?

Chavi Alvarez: We wanted to add more to the DIY component of Safe Amp and to the sharing and educating of people who come to our shows. Also, because it is a dry venue, people do tend to feel awkward sometimes between bands or before bands start because they’re used to drinking at shows. I have social anxiety and sometimes I feel awkward at shows even if I am drinking. Having a zine library in the corner that people can go to while they’re waiting for a friend or if they’re feeling awkward to read about stuff and calm down is good.

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(Selection of 'Satellite' and 'Plastik' zines.)

A Small Analysis of Why Art Schools Breed Zine Culture

by Becca Clark

Dundee, Scotland, has a rich history of publishing. The world-famous DC Thomson’s Beano and Dandy are an integral part of the city. Numerous zines were produced following the Northern Soul movement of the 70s and 80s, and Dundee United Football Club supporters created their own exalted The Final Hurdle fanzine. Adding to this mix is the city’s highly regarded art school, Duncan of Jordanstone College of Art and Design. DJCAD is at the creative core of Dundee and has been a breeding ground for multiple zine projects over the years. What is it that makes art school the perfect environment for beginning and maintaining a zine publication?

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in honour of Safe Amplification Society‘s  zine library
Sunday, March 30, 7pm to 12am
Astorino’s, Venables @ Commercial, Vancouver

$5 Admission (or free if you can donate a zine to the library)
*All Ages*

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Q&A: Walter Scott, Wendy (Vancouver)

by Ryan Ming

My first encounter with Walter Scott‘s Wendy comics was at the Vancouver Art/Book Fair in October 2012. When I browsed through its pages I was both amused and surprised by how well I was able to relate to the collection of vignettes about its eponymous twenty-something heroine who lives in a large urban centre that could be anywhere in the Western world (though certain references allude that it may be Montreal, Quebec) and her ambitions to further her career in the world of contemporary art. The prologue finds Wendy to be extremely articulate and motivated. As we progress further we follow her as she balances her ambitions while navigating through underground music shows, drugs, alcohol, parties, friendships, scenesters, established colleagues and doomed romances. You can buy the Wendy comics online or read Scott’s web-only comics.

Project Space: For the uninitiated, who is Wendy?

Walter Scott: Wendy follows the fictional narrative of a young woman living in an urban centre, whose dreams of contemporary art stardom are perpetually derailed. Just like you and me.


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Launch of The Wendy Critical Reader by Walter Scott
Thursday, March 20, 2014 at 7pm
Or Bookstore, 555 Hamilton St, Vancouver

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miranda july we think alone

Art Has Never Been So Public: We Think Alone and the directions of Net Art

by Chelsea Rooney

On July 1, 2013, I opened my inbox and read the personal emails of actresses Lena Dunham and Kirsten Dunst. Writers Sheila Heti and Etgar Keret. Geniuses Kate and Laura Mulleavy (Rodarte) and Kareem Abdul-Jabbar. The subject? Money. A week later, another batch of celebrity emails, this time on the topic of advice.

These emails, of course, weren’t addressed to me. They’d been addressed to mysterious initials, like “J” and “P” and “S.” They’d been chosen from the Sent folders (all emails composed prior to the project’s start date) of a few of Miranda July’s famous friends, and comprised the weekly installations of her sixteen-part email-art exhibit, We Think Alone.

July didn’t conceptualize this project (and 104,897 readers from 170 countries didn’t sign up as viewers) to receive a series of reminders that celebrities and geniuses are just like us. We’re pretty sophisticated, here. We already knew that.

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animazione_670pxReview: Gelatology by Studio Fludd

by Sarah Davidson

What do geology and dessert have in common? Very appealing textures, according to Gelatology, a collaborative book by Studio Fludd. Gelatology “explores visual and conceptual analogies between ice-cream and geology.” The book is a strange and tasty concoction, which samples from a couple of my favourite trends in art making, notably: paper-based art, collaborative collage, the natural world and hideous kitsch.

Gelatology borrows text from a geology text written in 1830, and was put together as a series of collages by Matteo Baratto, Caterina Gabelli, Sara Maragotto and Valeria Sanguin, the four designers behind Studio Fludd. To their surprise, it was selected by The Bologna Children’s Book Fair. This is mostly surprising because, unlike a normal children’s book, it lacks any real narrative.

The loose science analogy of Studio Fludd, more of a pretext really, reminded me of collages by the artist Carter. Carter uses marbled paper to a similar end. A write-up on the Saatchi Gallery website characterizes Carter’s untitled collage from 2005: “Collaged onto a marble textured base, Carter combines animal-mineral-vegetable in pseudo-scientific experimentation.”

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156391_10150340818129971_1367576521_nPoetry Is Dead‘s Humour Issue Variety Show
Wednesday, March 26, 2014 at 7pm
Performance Works, 1218 Cartwright St, Vancouver
Tickets $20 (includes the new issue and a subscription)

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Image: Perish Plains Vol. 1 by Patrick Kyle & Michael Deforge

Artist Series: Alex Durlak, Ryan Dodgson & Jayme Keith, Perish Publishing (Toronto)

by Asia Harvey

Perish Publishing is a Toronto-based artist publisher that launched at the New York Art Book Fair in the fall of 2013. It is an imprint of Toronto’s Standard Form print shop, which recently branched out with Perish and two additional record imprints, Idée Fixe Records and Komino Records. Perish Publishing participated in this winter’s LA Art Book Fair. 

Ryan Dodgson, Jayme Keith & Alex Durlak. Photo by Jay Shuster.

Project Space: Who is Perish Publishing? Your members come from music and arts backgrounds; how did you find your way to art book publishing?

Perish Publishing: Perish Publishing is Alex Durlak (Publisher), Ryan Dodgson (Editor), and Jayme Keith (Editor). Alex owns Standard Form, a print shop in Toronto, and has both an artistic and a music practice, having played in various bands and releasing solo electronic albums. Ryan is a published illustrator and has self-published a number of books and zines. Jayme is an avid book collector, drawer and occasionally works in the bindery at SF. We found our way into publishing through a series of conversations with one another over the past year or two.

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